ART
100
Art Appreciation
Course Syllabus
FALL , 2001
I.
ART 100; ART APPRECIATION
3 CREDIT HOURS
Instructor:
Alex Buckland
Office
Hours(TBA):
Office: Kresge#4 Phone: ext. 6381(Please leave a message on voice mail)
E-mail: abuckland@lmunet.edu
A broad introduction to the to the visual arts, elements of visual form and major principles of visual organization, a survey of art media, and a brief historical survey. Offered annually. It is the goal of this course to develop in students:
1.
An openness to
creative expressions in the visual arts.
2.
A general
appreciation and understanding of the visual arts.
3.
Basic “visual
literacy”.
4.
An understanding of
basic visual art terminology.
5.
A general knowledge
of major visual art media.
6.
A general knowledge
and awareness of major styles of art worldwide.
7.
The ability to define
art in personal terms.
V. RELATIONSHIP OF THIS COURSE TO CONTENT AREA KNOWLEDGE AND SKILLS:
This course seeks to prepare students to become intelligent,
perceptive, and discriminating appreciators of the visual arts. To this end,
the course seeks to provide students with the knowledge and skills necessary to
be open to a diverse variety of artistic expressions and to understand its
basic and universal premises. This is accomplished by means of exposure to a
wide variety of visual expressions through reproductions and slides, as well as
small group discussions, reflective writings, and assigned readings. Also, in
this process students should develop an understanding of how personal
experience and background uniquely shape the aesthetic judgment of all
individuals. The selective survey of art in an historical context stresses a
wide variety of visual expressions from diverse cultures and time periods,
revealing the unique relationship between societies and their artistic
expression. Also, the historical survey serves to demonstrate that the visual
arts have historically been a vital means of identifying and exploring
universal human issues, values, and ideas.
Preble,
Duane and Sara, and Frank,Patrick, ARTFORMS, 7th Ed , Prentiss
Hall,2001
VII.
COURSE OBJECTIVES:
The learner will:
1.
Demonstrate an
understanding of the relationship between personal experience/background and
aesthetic judgment and perception.
2.
Demonstrate a working
knowledge of general art terminology.
3.
Demonstrate a working
knowledge of the elements of visual form and their use.
4.
Demonstrate a working
knowledge of the major principles of visual organization and their function.
5.
Demonstrate the
ability to critically analyze works of art in a logical, systematic manner.
6.
Demonstrate a basic
knowledge of the major visual art media, including relative terminology.
7.
Demonstrate the
ability to identify major period or cultural styles of art through a general
knowledge of the characteristics of the style.
8.
Demonstrate the
ability to recognize and identify major examples of art (“masterpieces”) from
diverse cultures and time periods in terms of TITLE, STYLE, ARTIST(if
applicable), MEDIUM, and ARTISTIC SIGNIFICANCE.
9.
Demonstrate an
awareness of major artists and their contributions.
10.
Demonstrate an
understanding of the relationship between
creative expression in the visual arts and the unique character of the
society from which it came.
11.
Demonstrate an
awareness and understanding of how human values can be examined and explored
through visual means.
12.
Demonstrate an
awareness of the chronology of major artistic styles.
13.
Demonstrate the
ability to formulate and defend judgments about works of art.
14.
Demonstrate the
ability to define art in personal terms.
VIII.
OUTLINE OF COURSE CONTENT/UNITS OF INSTRUCTION:
Week of: Topic: Assignment:
(1) In
book
“Likes”
/”dislikes” inventory
Pre-instructional
drawings
Basic
drawing instruction: drawings of hand
Contour
drawing(blind and modified)
Aug. 27 ”Upside-down” drawing drawings of art
(2)
“Defining art” Aesthetic ex.
Sept. 03 The nature of art Text;
Part 1, Ch. 1
(3)
Purposes and
functions of art
Modes
of visual representation Text;
Ch. 2
Creativity
Awareness and human perception
The importance of experience /
background
(4) Aesthetic
scanning/critical analysis &6
Sept.17 Media and techniques (reference) Text;
Part 3,Ch.7,8,
(5) 9,Part 4,Ch.12&14
Sept. 24 Summary and review for Test I
ART 100B: Thursday, Sept. 27
Oct. 01 Review and discuss test results
(7) Style Text; Part 2, Ch. 5
Begin historical survey: Text; Part 5, Ch.15 Pre-historic
art
Oct. 08 Non-western art
(8) Ancient
Egyptian art Text; Part 5, Ch. 16
Ancient Greek art
Oct. 15 Roman art
(9) Byzantine art
Medieval period
Oct. 22 Renaissance period Text; Part 5, Ch. 17
(10)
>>>>>>>>>> FIRST ARTICLE SUMMARY DUE THIS
WEEK<<<<<<<<<<
Oct. 29 Summary and review for Test II
(11) Test II; ART 100A: Friday, Nov. 02
ART 100B: Thursday, Nov. 01
Review and discuss test results
Nov. 5 Baroque
period
(12)
18th
Century art Text; Part 6, Ch. 21
19th
Century art: Neoclassicism
Romanticism
Nov. 12 Impressionism
(13)
Post-Impressionism
“End of
century”;Symbolism,etc.
(14) 20th
Century art Text; Part 6, Ch. 22,
Nov. 26 20th Century art (cont.)
(15)
Dec. 03 20th Century art (cont.)
(16) Summary
and review for final exam
Apr.30 Final Exam Week
Final Exam; ART100A: Monday, Dec. 10,
10:30-12:30
ART100B: Tuesday, Dec. 11, 10:30-12:30
IX. REQUIRED
READINGS (Beyond textbook):
Each student is required to read and summarize no less than 2 articles pertaining to art topics of personal interest(artists, styles, controversial issues, etc.). Some good sources are listed below:
Time
Newsweek
National Geographic
The Internet(be careful that sources
are listed, and authoritative)
Other sources(clear with instructor
before beginning)
The
following format and guidelines should be used for the article summaries:
1. Identify article, source, author
2. Summarize article IN
YOUR OWN WORDS!
3. React to the article
4. Support or defend your reaction
NOTE: Each complete summary should be NO LESS THAN 1 page typed, 11/2 pages
hand written. If you are using a computer word-processing program, total length
is the same as typed, with 12 point type. An additional 2 article summaries may
be done for extra credit (up to 5 points each). Include a xeroxed copy of each
article with each summary.
X. *SUGGESTED
READINGS/BIBLIOGRAPHY:
Clark, Kenneth; Looking at
Pictures,Beacon Press, 1968
Read, Herbert; The Meaning of
Art, Praeger Publishers, Inc., 1972
___________;
Art and Society; Schocken Books, 1966
Taylor, Joshua C.;Learning to
Look; a Handbook for the Visual Arts; The University of Chicago Press, 1957
·
On reserve, front
desk of Library.
Small cooperative group activities, Aesthetic scanning, Inquiry, Critical analysis, Slide lectures, reflective journal writings, required readings, and article summaries.
METHODS OF ASSESSMENT/
EVALUATION/DOCUMENTATION:
2 tests, 2 article summaries, a set of student made “flash cards”, drawings, a reflective journal, and a comprehensive final exam are required for this class. Following, are the weights of these requirements:
2 tests 45%
2 article summaries 10%
drawings 5%
journal 15%
final exam 25%
GRADING SCALE:
93-100
A
91-92 A-
89-90 B+
83-88
B
81-82 B-
79-80 C+
73-78
C
71-72
C-
69-70
D+
63-68
D
61-62 D-
60 and below F
ABSENCE POLICY:
The
student will be allowed to miss class the number of times the class meets in a
week without penalty. More than that will lower the final grade, at the
discretion of the instructor.* The student is stongly urged to reserve the
allowed absences for unavoidable and emergency situations. Perfect attendance will be rewarded with 15 points extra credit,
added to the total test score BEFORE averaging. THE STUDENT MUST BE IN CLASS READY
TO BEGIN BEFORE THE COMPLETION OF ROLL-CALL TO BE COUNTED PRESENT! (There are
no tardies!) Also, the student must remain in class for the full class period
to be counted present.
*NOTE: MAKE-UP TESTS will be given ONLY in extreme emergencies, at
the discretion of the instructor. THE STUDENT MUST PROVIDE FULL WRITTEN
DOCUMENTATION of the ABSOLUTE IMPOSSIBILITY of her /his presence at the test.
ALSO NOTE: Official athletic absences (or other official L.M.U.
related absences) will not be counted against the allowed limit.
XIII. DATE
OF REVISION: August, 2001